Old Master Still Life. Oil on canvas, 24 x 20 inches, c. 1925-28.
The Reiskin Collection has three interesting still lifes that highlight different periods in Ben’s career. The first is an Old Master Still Life that dates from 1925-28. This is an example of the decorative paintings Ben produced after returning from Europe in late 1924 to support himself. For more on Ben’s decorative painting check out this post. It is somewhat unusual as the heavy varnish Ben put on these paintings to make them appear to be several centuries old has been removed. It most likely that a conservator dissolved the varnish not knowing it was the finishing element of the work. Consequently, it gives us a clear picture of the vitality of these still lifes as Ben painted them.
Dried Flowers. Oil on canvas. 30 x 25 inches. c. 1930s
The second is Dried Flowers. This lovely 30 x 25-inch oil is undated, but judging by its color palette it was most likely painted in New York in the 1930s. Ben’s palette was filled with blues, blacks and reds when he painted in the city.
In Bucks County, Ben’s palette was transformed by the cool grey light of the area, and greens and browns are much more prevalent. The third still life, Still Life with Dried Flowers and Fruit, was certainly painted in Bucks County, anywhere from the late 1950s through the 1970s.
Still Life with Dried Flowers and Fruit. Oil on canvas, 30 x 25 inches.
The Russian napkin beneath the still life elements is a family heirloom brought from Russia. It shows up in Solowey paintings as early as 1924, and he would include it paintings throughout his career. The milk white bowl and vase are still in the studio, and even the vase in the Dried Flowers is in the studio , currently filled with Ben’s favorite flower, peonies.
