In 1955 Ben Solowey embarked on Figure Composition, a painting that would become a favorite of the
Figure Composition
Oil on canvas, 1955
Soloweys, critics and collectors. Ben drew a full size charcoal study before starting his oil. It was not unusual for Ben to make preparatory studies before painting in oils, especially for larger works such as this painting. It was rare for him to make a full size study in charcoal though. It is almost as if he knew he was creating what would turn out to be one of his signature works. Paper Trails will exhibit this remarkable drawing for the first time anywhere. It is a unique opportunity to see the birth of a masterpiece.
After at least five different sittings, Ben photographed the painting in progress, capturing the evolution of one of his best-known works. The work was reproduced widely—on the cover of Prevention magazine and Pennsylvania Heritage magazine to name two— and though many wished to purchase the work, Ben, and after he died, Rae, would never let the work leave the studio for anything other than exhibitions.
David Leopold
Director
Study for Figure Composition
Charcoal on paper, ca. 1955
